Thursday, May 19, 2016

Tom Leoni's Fabris Translation available on Lulu!

Just what the title says! Tom re-released his 2005 translation on While he says it's missing the introductory portion, all the illustrations and translated material is present.

Tom has said that a second edition is "in the works, although it may take a while." Until then, folks can get this!

Monday, April 25, 2016

Yet More Practice Report

The Lochleven Spring Practice was this weekend, which meant Sunday had a lot of time being outside, watching melee practices, and getting in some good singles practice for me.

I approached it more as a functional practice than a purely manual practice, and it worked out pretty well. I felt a little off during the day, but that's probably just because I wasn't super focused for a number of reasons.

I noticed that being able to flow smoothly between a more upright Italian stance and down into a Fabris guard was working pretty well for me. While I'm still not as explosive as I'd like (especially from a lower stance), being able to shift between them really opened up my options (as well as being super period, so go me!) and when I was using a dagger, it let me deny my sword to people who were either being very proactive with a dagger or other offhand in terms of molesting my blade, or just letting me close off differently. In particular, I think it was helpful against the good Doctor Deth, who has a particularly vicious gliding beat with virtually no telegraph.

Working case into my Italian game went fairly well. While it'll never be a major form for me, it was working well as a counter-pick to Deth's case. I've been using an off-hand cane for a while there, which let me close off enough area that it let me work more safely, but being able to actually threaten more with my off-hand changed things up much more.

(It also led to some interesting thoughts about how various case fighters use case, and how I'd much rather just use dagger out of stubborn principle. Sometimes - I think the majority of the time, really - I can, and it works out well. Deth though, hits enough problem areas for me that counter-picking a weapon form gives me much more leeway.)

I need to work more on keeping the tip of my sword free. More disengage/yielding drills, including working on disengaging over the dagger. I need to be much, much more responsive there. I should also fight more single rapier, just to really dial in on these things as well as forcing much more opposition practice. These should also help against beats - either disengaging them or yielding and collecting them.

Explosive footwork and aggressive responses are things that have been problems for me for too long, and I need to dial those in. (Also, once again, making passing steps more instinctive.) There's going to be some focus on that with drilling for the coming Mondays, which will be super good. Likewise working those offline steps and more body voids (and general body English in general - Edward and Malocchio both are good examples of that for me) which is also a reminder for me to stretch more. Some of that I can work on in my own backyard, which is convenient.

Finally, gonna have to pull out the sidesword and start in on basic cutting patterns. I'm happy to use my rapier in C&T, but broadening my game into a solid Bolognese footing (and eventually Italian longsword, which reminds me, go get one) will be fantastic fun.

Tuesday, April 12, 2016

Quick Practice Report

I'm doing this mostly to keep myself thinking and accountable. So!

The big things I took away from last night were:
  • Keep drilling opposition. Work up to opposed drilling regularly. Make sure I'm doing everything right. Details matter.
  • Keep practicing open and closed dagger guards. Test them.
    • Work both of the above together. Opposition while using a good closed guard. All at once.
  • Mobility. Work on it. Both pure foot-based movement as well as just getting my body to be willing to move itself around. Body English.
  • Lunging in good order. Also, diverting into passing on the lunge.
  • Merging everything together. Cavazione while stepping in, leaning, forming a closed dagger guard. All at once, and all.
Which is basically just "practice fencing," I know, but still. Breaking it down like that is super helpful for me. Plus, I can at least do some of that solo.

Two sets of bouts really stood out to me, though!

Working with Malocchio brought a very different fight from our usual out; we were both working on very specific concepts from Devon's workshop, and it led to some really interesting exchanges. I wasn't contesting opposition to the degree that I usually do, instead moving to cavazione instead. He was committing a lot more and using a very different posture with the cane. It was all around really great.

I found myself unable to land any solid attacks on Kenric in opposition to my outside. Given that he's a lefty, and that my outside is his inside, this makes some sense to me. Still, the mechanics of my movement in from finding felt off, so I want to work on that next Monday. (Or possibly this Saturday, but probably Monday.)

Nothing huge, but worth putting down to keep me honest!

Thursday, April 7, 2016

Mair's Sickle, Plate Four

Time to dust this off, keep on going, and just add to the backlog of things to work through with Doroga and post followup entries on!

Since it's been a while, I'll mention that I'm using the translation here. Wiktenauer has a picture from a different manuscript of the plate here.
The action once again begins with the fighter on the left initiating. Fighter A is standing straight up, legs together, right hand holding the sickle above your head, and your left hand on your left hip. Fighter B awaits in a lower stance, with the right leg leading, the sickle on the inside of the right leg, and the left hand on the left hip.

First Variation
  • Fighter A steps forward with their right foot, striking downward onto B's head. Done!
Second Variation
  • Fighter A steps forward with their right foot, striking downward towards B's head.
  • Fighter B parries upward and outward to the right. B then steps in with their left foot and strikes A's right leg.
Third Variation
  • Fighter A steps forward with their right foot, striking downward towards B's head.
  • Fighter B parries upward and outward to the right. B then steps in with their left foot and strikes at A's right leg.
  • A grabs B's right elbow from the outside with their left hand and pulls it towards them, interrupting the strike. A then strikes B in the right shoulder.
That's it! Hopefully between Courts at Coronation on Saturday, Doroga and I will have a little time to work through the third and fourth plates, as well as touch up the first two as well. Thoughts will be posted about that, and once they settle, we can move on to the fifth plate, where it seems like the initial setup is a bit more complicated!

Tuesday, March 22, 2016

Functional Mnemonics!

If you follow any of the fencers who are semi-local to me on almost any social media, you'll probably have noticed that this past Sunday, we were lucky enough to have been able to catch Devon Boorman of Acadamie Duello in Vancouver out in the Boston area for nearly six hours worth of historical rapier teaching.

(Brief shout-out: in addition to the physical Acadamie, Devon also runs DuelloTV, which has a giant mess of instructional videos available. Setting up the basic membership is free, allows access to a number of the introductory videos, and only gets you one piece of email sent to you a week - letting you know which of the advanced videos are rotating into free access for the week. I cannot recommend this resource highly enough.)

There wasn't much in the workshop that was completely, 100% brand new to me, but I always love getting a full review of the fundamentals from the ground on up. Fixes to technique at that level almost always have a ripple-through effect to the rest of my fight in ways that are kind of hard to quantify but are absolutely there. Even little things like adjusting my hand or foot can have a long-term impact in that every little bit of increased efficiency will reduce the wear and tear on my joints, meaning that I get to keep doing this thing for that much longer in my life. Which, in something that won't shock anyone, is really important to me.

The other reason that I will always happily work through fundamental workshops is because there will inevitably be some turn of phrase or tiny little technique that will have an impact on my fencing out of all proportion to the time spent on it. This entry today is one of those little snippets - a couple turns of phrase and ways of thinking or describing an action and how to think of it just all clicked together into a thought which led to writing this up.

While I'm hoping to do a couple shorter follow-up posts about rapier specific things that were really important that I picked up on, I really wanted to note a couple broader mental concepts that kind of hit my brain on Sunday. Specifically, something that I've noticed Devon doing in his instruction that I'm terming "functional mnemonics." Now, I have absolutely no formal education in either the practice of teaching or learning theory or anything like that, so it's quite probable that this concept has a name all on its own already, and is well known in the field, but it's new to me so I'm noting it because I think it's super important. In practice, I think that using functional mnemonics will impact two parts of fencing - cognitive load and good technique.

One of the things that was mentioned as an aside is that people don't truly multitask like many folks think. We can't parallel process - we really can only do one thing at a time - but we timeslice really well, and jump back and forth from thing to thing quickly. That's fine most of the time, but you really don't want to be timeslicing while fencing. You want to minimize the cognitive load that you need to carry - you absolutely want to minimize the number of things that your mind will need to jump between to track. The usual way this comes up in practice is when a student first picks up a dagger, and the instructor points out that they don't want to create a third line of attack between the sword and the dagger, because that's one more thing to track, and can dramatically increase the cognitive load that the fencer needs to deal with. Remove that line, and the number of cycles in the brain dedicated to jumping from line to line drops a lot, and you can focus on other things. Win!

So relating this to functional mnemonics came up in the workshop terms of foot/knee/leg positioning. Typically, newer fencers are taught to keep their lead foot pointed along the line of action, and to be sure that their knee is extending along that same line, bending over the foot and toe. While this is structurally sound and worth practicing, it's also a lot to keep track of. Foot position, leg angle, knee tracking - that's really a lot. On the other hand, if you think of it in terms of keeping your knees out as though you were doing a squat, not only do you end up with a more structurally sound stance overall, but if you're used to the feeling in the knee when you're in such a position, almost by definition your foot will have to point properly and your knee will track over it correctly. You don't need to keep track of the individual components like we typically instruct people, it just falls into place. Knees out, recognize the sensation, everything else just happens. Much less cognitive load, more free cycles in your brain to pay attention to things your opponent is doing!

This also relates to the second way that functional mnemonics comes up - thinking of an action differently (and generally more simply) leaning to performing proper technique. This came up in three separate instances, but they all clicked together really well.
  • In using opposition, from the first finding of the blade all the way through the gain and the strike, students were encouraged to "keep your mind on your point" and not thinking of the action from the perspective of the hand at all. This really does end up preventing a lot of the problematic hiccups in the action.
  • When striking from opposition, thinking of it as a forward motion, and don't worry about the deflection at all. If you're moving forward into a good Seconda or Quarta, the sideways motion necessary for deflecting your opponent happens coincidentally and well, and doesn't go too far.
  • When recovering your arm after a lunge, thinking of it as tucking your elbow in, not withdrawing the arm, prevents the elbow-out chicken wing that happens sometimes.
None of these really have any changes in the actions themselves, but just thinking about performing the action using a particular mnemonic leads to performing it correctly solely because of the mindset or focus that the thought process leads to. Additionally, and related to the first point, thinking of the action in that way tends to summarize a lot of other little parts or makes it unnecessary to think about them actively, which also reduces the cognitive load you're undergoing as you're working on the actions.

I hadn't ever encountered this type of summary or thought process of teaching precise physical actions before, but now that I've been struck by it, I can see a lot of it cropping up here and there through Devon's instruction. It strikes me as supremely useful, both in terms of instruction and in terms of actual training and performance for myself, and I'm very likely going to be trying to work those into teaching when useful, and into my mental processes while I'm drilling and working on new techniques.

Finally, as I mentioned at the beginning, I have about zero formal training along these lines, so if anyone has any more information or thoughts about this - either in terms of instruction or performance - I'd love to hear them.

Friday, March 18, 2016

Yet Another Practice Report

Remember when this blog also had cool period rapier content? It'll come back, I promise. For now, my practice report for tonight.

We had an out of town MoD show up, and man, I've missed having someone just roll into a practice and kick me around hard from out of the blue! I lack lunch money now! It gelled a lot of things I've been thinking of lately, and let me solidify plans for myself.

  • Movement continues to be a thing - it feels like stepping, body english, and explosiveness is being lost in Fabris. I know that all of these things are sure possible there (Logos is proof!) but it's way, way hard.
    • It's harder when it feels like my body is fighting me! My wind was gone, and a lot of aches and actual pain were happening. My hand and elbow were up to their old tricks. Anastasia assures me that when you really start exercising there's a period of things getting worse before they get better. So I live there now, until I don't!
  • I was biting way hard on feints. In retrospect, I felt like a lot of my attention that should have been on the fight was being eaten by the aches and pains and being in form, but that is what it is.
  • Measure! Pay attention to it! This was something I was good at once. When people keep pressing in, I should do a thing about that!
  • Multiple intentions! Ugh, come on! Also, change lines, idiot!
So yeah. Frustrating in terms of my body noping, but super useful in terms of really gelling a lot of things.

So I'm gonna keep working my Fabris - because I love Fabris - but also now that I can use my pel again, keep working more general combatives. (Or to put it differently but still accurately, remind myself that I have, and work on, a broader Italian rapier skill set.) The Fabris will continue to work its way heavily into my broader Italian repertoire, but I think upright work will help my back out and my mobility out. (Also, training deeper and fighting higher is stil really a thing.) Stand up, shake it out, and work those lunges and movement and everything. Work on transitioning from upright through the lean into Fabris and back out! Yeah.

Also, I should cut myself a little slack. Not much, just a bit.

Looking forward to the gym tomorrow morning, though. That'll help kick the rest of this. (I might try and re-juggle my schedule with the jogging to spread it a bit, that might help my fencing some.)

There's going to be a rapier workshop on Sunday though, and I'm deeply looking forward to that. It'll almost certainly help settle things, reinforce fundamentals, teach me new things, and just keep this ball rolling.

Next up, something from Fabris!

Wednesday, March 16, 2016

Some Rambling, and a Short Practice Report

So I'm sitting on having only the last entry for Mair's Third Sickle Plate; I don't really want to dig farther until Doroga and I get a chance to run that in person; we're just behind on that because life got in the way. I'm hoping to get a chance tomorrow at practice, though! If by next Monday's practice we don't get a chance to work through stuff I'll just forge ahead and we can backfill with information from trying them out as it happens.

Still, I want to get something up here, just to keep my momentum rolling. Tomorrow I may do something on Fabris, but tonight I want to get out a quick practice report just to keep myself honest.

Monday night I noticed a big difference working smaller, tighter steps against Dr. Deth. He still rocked me, but it was clear from the fighting and from talking after that I need to work on a few things:

  • Measure awareness. Linger just outside, and use that to put pressure on my opponent.
    • I'm still working on being able to bring the fight to people and not just be reactive (primarily by taking a tempo from them by claiming the initiative). I could just revert to trying to flush a movement (ie, making my opponent give me a tempo and capitalizing on that) but I'm trying to work a much more proactive fight against him.
  • When I want to move, I need to explode. Work a better explosive attack from Fabris.
  • When I parry with the dagger, I should be extending my blade, if not outright lunging into a committed attack. This can (and should) be drilled.
  • Lateral movement. Voids. Rolling off of Agrippa's ball. Stuff like that.
  • Dropping from an upright posture, through a lean, into an attack. Nothing new here.
(Anything I can work solo will be easier once I can do more regular work in the backyard and not the basement, too.)

Deth continues to force me outside my comfort zone while at the same time letting me work a lot of core fundamentals, and I'm really happy that he's regularly there on Mondays.

I fell off my five minutes a day minimum, and I damn sure need to get back on that train, no matter what or where I am during any day. Frankly, I've been feeling a little disengaged from fencing mentally and physically in general, which isn't good at all. I've had a lot of bad crap taking up space in my head for a little bit, so I'm hoping to get that flushed and then take up the free space with more swords. Get back to re-reading me some Fabris, writing about it more, and just doing more visualization throughout the day. Couple weeks of that and I'll be right back to normal.

That's that!